Director’s notes… David speaks!

Dave with co-writer/producer Phil

Wow. I have started to breathe again. Bit of a week, bit of a stiff learning curve. Thought I would share a few techie points before I get down to the really important elements of film making. Like performance, story and sleep.(Sleep being the most important according to Alan Parker-thanks for that gem, Lee)

Couple of things regarding the camera:careful in low light. What looks good on the viewfinder may not work on the big screen-we have seen some issues with noise and may just have to work around. I have just disabled “Highlight Tone Priority” to see if that will help…whatever the heck that is….

Also-using a Marshal HDMI monitor-BEWARE. Don’t believe the lovely bright image. We ended up turning the brightness down and down and down, to give us a more realistic idea of brightness

Monitor issues?

Monitor issues?

levels (you shouldn’t really rely on monitor, anyway. When you have a DP who wanders round with what looks like a STARTREK Tricorder pressed against his cornea for 24 hours a day, you have someone else to point the finger at when it all looks like a black cat in a coal shed at night…….). Actually it has been a real test for us, as most of this film is set in a blind man’s house at night with the lights turned off. Sorry, JC!

DONT think you can use the camera for long without using a proper support rig-the type of camera shake you get from holding the camera body alone is not pleasant, unless you want to simulate a POV from someone with St Vitus Dance. Don’t forget what looks like a small amount of shake on the little monitor can look like a 7.6 on the richter scale on a big screen.

"LOVE the camera"

"LOVE the camera"

Over all, though-love the camera.Repeat- love the camera. When 24p firmware hits us, I will be dancing for joy, but even at the crazy crazy crazy 30p, the image of this camera is great.

TJ with the Canon Eos & Zacuto rig

TJ with the Canon Eos & Zacuto rig

We are off to shoot a bit of “action” tonight, where our ‘Marley’ gets accosted by a couple of louts. Should be fun. Gonna miss our camera op TJ, who was a joy to work with. Still, I do have my third eye, John Craine, whose initials could be quite appropriate for the miracles he is able to perform. Going to operate camera tonight (I was relegated to Steadicam op for the week of principal photography.) Do need some more time in the saddle. Directing is all very well, but there just aren’t enough buttons……..

DA.

3 responses to “Director’s notes… David speaks!

  1. Thanks for the appraisal of the 5D, really good notes, especially on the tricks played by the monitor.

    In a future post, do you think you could give us a full, in-depth list of the kit that made up the camera rig? Interested to see just how many separates you need to fully support and avoid the kind of shake you talk about in the post.

    Thanks and can’t wait to see it!

  2. Thanks for that, good warnings!

  3. cheers for reading guys 🙂

    absolutely Oli – will do in next blog. will also post some stills in the next day or two so you can see the quality of shots – superb stuff.

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